Wednesday, September 30, 2009

A Portrait Story Part 1: Calpe and Capri.


My latest portrait is of two cats named Calpe and Capri. These sweet siblings were indeed named for real-life locales, and this portrait is set on the island of Capri, Italy.

Once a rough composition was planned out and agreed upon, I set out to 'get to know' the cats. I do this by sketching them. These sketches are just for me to take a little time to get familiar with the individual that I am drawing before I go into the actual portrait. I sketch freehand, by sight. Because of this, the sketch often looks fundamentally different than the photo, even though I work painstakingly when sketching the anatomy and likeness of the animal. My real intent is to capture the essence of the cat's gesture and personality. I strive to capture an unmistakable intangible quality, a glimmer of the essence of the spirit of the animal.





This is Calpe, the older brother. He's the bigger cat. He is large and in charge.

Here is Calpi, the little sister. She is little and oh so cute!

Tomorrow: the finished portrait sketch.
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Tuesday, September 29, 2009

The Winner is...

Congratulations to the winner of my Party Animals book giveaway: Kirsten Muscat! In addition to the book, Kirsten has also won a WellerWishes "doggie prize pack" consisting of:


A set of four (4) WellerWishes "Garden Pug" art magnets


(Art detail above)


An archival print of my "Circus Bichon Frise"



A high-quality archival print of my ACEO "Wild Wild West Doggies"


And, last but not least, a hand-painted, original art wood ring featuring a cute little doggie! Modern palette of black, white and red! (Silver-plated adjustable ring base.)


Congratulations to Kirsten, and Thank EVERYONE for Tweeting and Facebooking and commenting up a storm! Wish everyone could win! But don't fret - you can still get a copy of the Party Animals book here, and every penny of the proceeds goes to A Place To Bark. That is totally cool and totally worth it!

October 15 will see the start of the Party animals original art auctions on EBAY! Please check it out and if you are so moved, please bid. And remember that 100% of the proceeds from the original art auctions are going towards helping stray and abandoned animals have a NEW LIFE, thanks to A Place To Bark's hard work and all - around amazingness.

You can sign up to get auction updates here (bottom of page).

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Friday, September 25, 2009

Party Animals Week, Day Five: Process, Part Two


See Part One here



Once my pencil work was completed, I went in with my Rapidograph pen (.25 point size nib). I love this part of the process. I can kind of "zone out" and let my brain go on autopilot. Inking the lines is still a very creative process but it's kind of like rollerskating wearing knee pads. You are protected to begin with, but you can take a few chances and still feel safe.

And... Ta-da!! Here is the final painting!






Book giveaway ends tonight at midnight EST.
> Enter my Party Animals book giveaway

Hey... one last thing... Today is my sister Julie's birthday!! HAPPY BIRTHDAY, JULIE!!!!

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Thursday, September 24, 2009

Party Animals Week Day Four: Part 10 Final Video Demo!



Here's the final video featuring the painting I created for the Party Animals book! In this short video, I chat about the details I put in the piece and how those little things mean a lot.
> Enter my Party Animals book giveaway
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Wednesday, September 23, 2009

Party Animals Week: Day Three - from first roughs to a general composition


I began my composition by simply fleshing out my idea in rough sketch form. I was not sure where I was going with it, but part of the fun is the journey. I just knew that I liked the idea of all different kinds of dogs dressed in party gear. Each type of dress would show off the individual dog's personality. I love to do characters and show little personality traits through what they are wearing, facial expressions, and demeanor. So I knew that this idea would work perfectly with my sensibilities!

> Enter my Party Animals book giveaway


Once I drew a bunch of the dog heads, I decided I would fit them all together, kind of like a puzzle, as though they really were at a party! I wanted to add my signature flourishes—a decorative border plus some fun title lettering, as well. But that would come later...

>Read about the Party Animals project in Scrapbooking magazine


I then took many of my dog heads and I worked them into the desired space. After scanning the original sketches, I worked in Photoshop to cut them out, head by head, and place them into the desired size of composition (in this case, the entire piece is 8" x 8"). I sized the heads to allow extra space for my lettering/title and the decorative border. Once this layout was complete, I printed out the art to actual 100% size on a piece of 8.5 x 11 paper. Then I drew it onto watercolor paper using my lightbox and the printout as a rough guide. I never trace art work directly because I feel that the finished traced line always lacks life. It makes a huge difference to just redraw instead of trace—it's like night and day! You can really see the difference! So instead, I used the print-out guide as just that: a guide, a marker for where things should be placed in the finished composition. Using the light-pencil lines I put on the paper from the lightbox/printiout sketch, I then redrew all of the elements freehand in my own hand once again. This time I generally followed the original sketch so the general characters is still intact. After this was complete, I then pencilled the title lettering and the decorative border directly onto the watercolor paper freehand.

Friday: ink phase and see the final painting!
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Tuesday, September 22, 2009

Party Animals Day Two: Dog Painting Demo Part 9



In this next-to-last video demo of my Party Animals painting contribution, I show you one way that I like to use metallic paint. I also give tips on adding texture to your painting, and how a little shading can help elevate your work.
> Enter my Party Animals book giveaway
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Monday, September 21, 2009

Party Animals Week!



Monday (today) through Friday is Party Animals Week here on my blog! First up are the final three video demos of the painting I created especially for the Party Animals book project. This one focuses on how to get colors to harmonize well together in a small composition. I offer a tip and a trick or two to help you to wiggle your favorite colors into a painting even if the colors might not seem to "go together" at first. Hope you enjoy!


>See all of the video demos here.
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Sunday, September 20, 2009

Custom Art Framing and Gallery 9

Above photo of Guinness at the Circus artfully matted and framed by Julie

My sister Julie and Nick, her husband, co-own a frame shop and gallery in Norwood, Massachusetts. Early this summer, she and Nick relocated to a larger space— a standalone building which also accommodates Nick's other business, Band Gig. The building at 45 Central Street in Norwood, MA is now a one-stop shopping arts emporium! I had been unable to visit their new digs until yesterday, when I took some snaps to share with you...



The bathroom walls are filled with photos of our family and Nick's family. It's really something to see, everything is framed and matted beautifully. (I'd never seen matts cut so artfully until I saw Julie's style, way back when.) Some of the matts are really uniquely cut and compliment the photos so nicely.



I love to look at the variety of frames they have to choose from The designs are fantastic and are very creatively inspiring! This is just a tiny sampling too. They even have sequined frames ( I love those).



The shop is full of quality goods and these frames are the bargain of the year. The frames on the above shelving unit are all made in-house, with gorgeous frames and matts and are ridiculously priced. Seriously I was a little surprised because under $20 for the quality and craftsmanship you get - you won't find this type of a deal anywhere else that's for sure.

The mattes on the left two bottom row frames are very expensive and very gorgeous. I know this because I use the velvet/suede matts in most of my own framing!

I love how each frame is named after the person who made it: the "juju" frames by Julie, the "Kimba" and Lucy" frames by Kim, the "zetta" frames by Nancy. Too cute!




Here is a gorgeous frame job Julie did on my Ani-Man piece. she actually tea-stained the striped fabric by hand before affixing it to the matt. (I mean, c'mon, who does that?? That is artistry!)



Julie's flair for design, color and beauty is on display even in hidden nooks and crannies. You have to look up- way up, into a corner of the room, to spy this little gem-like display. Lovely!



This display holds all kinds of 2 and 3-d art and crafts from local and national artists and artisans.
You can find something new in every corner. Lots of types of arts on display-wood bowls, silver jewelry, textile art forms, art cards, mini-paintings and more.




This display holds Sagescents artisan handmade incense. Behind the incense display (on the other side of the large wood display) is a display of Vintage by Crystal's cool stuff. Visible through the box here is one of her wonderful whimsical spun-cotton characters.




Here are some of Kim Morin Weineck's new pumpkin head felt dolls, so cute, plus a handmade frame she created (see"Kimba" behind the pumpkins). Some pottery pears round out the display (did not get the artists name on the pears).



Finally, here is a beautiful delicate necklace by my sister NancyRosetta called "Mermaids Tears".

I will have some more fun art items available at the shop for the upcoming holiday season as well. I will post about it here and in my newsletter. (Sign up to stay in the loop.)
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Saturday, September 19, 2009

Illustration Friday: Infinite


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Friday, September 18, 2009

Sharpie Week, Day 7... Goodnight.


This reminded me of my mother, when I did it. Then, when I showed it to her, she said it was very pretty and that she liked it a lot. So it's for her.
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Thursday, September 17, 2009

Sharpie Week, Day 6...


Birdies, birdies, birdies. Edgy! The zebra-print lettering in there kind of makes me giggle.
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Wednesday, September 16, 2009

Sharpie Week, Day 5...


I made up the quote on the fly, right when I did this drawing. I think it is very true, though. I like it.
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Tuesday, September 15, 2009

Enter To Win a copy of Party Animals book!

I'm giving away a copy of
the Party Animals book!

(Don't know what I'm talking about? Please read here)

To celebrate this great collaboration of pet portrait artists on this benefit project and the upcoming original art auctions on Ebay, I am giving away a package consisting of a copy of Party Animals PLUS a fun-bag of WellerWishes doggie-art goodies!


You can enter once, or you can enter twice...

Enter Once Leave a comment on this blog post telling me what one of your very favorite dog breeds is. I know- what an unfair question!! That said, I'll share mine: Pugs, Japanese Chins, Corgis (both Welsh and Pembroke), Jack Russell Terriers, Boston Terriers, to name but a few... Hey wait a minute, that was more than one. No fair!

Enter Twice Blog, Facebook or Twitter about my Party Animals Book Giveaway blog post. Then, blog comment again on my blog telling me where you posted about it, and you will be entered twice.

That's it!

Deadline to enter: Friday, September 25 12:00 AM EST.


Oh...There's one more thing: Starting on October 15, ALL of the original artworks featured in the book "Party Animals" will be auctioned off on Ebay (read more here on A Place To Bark's site)! That's right - every piece of original art featured in the book will be up for bid, and ALL proceeds will go to A Place To Bark. (Bow) Wow! I'll be sharing more information on the auction next month and as it becomes available on my blog.



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Sharpie Week, Day 4... Kitties In Suburbia

I drew this one Sunday while vending at South End Open Market. As long as you don't get too wrapped up in your drawing, it's ok to draw during a lull at a show. Of course, I tend to get really wrapped up in my drawings. And my doodles (I've always hated that word, by the way) become drawings, once I move into the zone... So I guess the take-home message for myself is that I probably should not doodle while vending.
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Monday, September 14, 2009

Sharpie Week, Day 3... Bark Like A Dog

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Sunday, September 13, 2009

Sharpie Week, Day 2... Birds in symphony


I love the little "Lost" birdie in the middle. I also love the little big-eyed birdie below, the one with purple hearts shooting out of her beak.
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Saturday, September 12, 2009

Sharpie Week!

Ever since I picked up a few sets of the new Sharpie Pen at Staples big "back to school" sale a couple weeks ago, I've been breaking out the markers in a big way. I'm a HUGE fan of Marvy's line of Artwin markers but I am adoring the new Sharpie Pen, and it has inspired me to do Sharpie Week here on my blog. Of course, using the Sharpies has also led to my breaking out the Marvy Artwin markers as well, so you may see a week devoted to Marvy markers coming up as well!

Drawing with markers is a really good creative exercise for me. I go through periods where I can't imagine starting any drawing without an initial pencil sketch first. The thing that's so cool about working with markers is that it forces me out of that box, big-time. I don't like to 'muddy' up marker lines with the pencil lines underneath them. No matter how well you erase at first, you leave a slight line as a guide, and then that line inevitably gets mixed in with the marker ink. I don't like it.

I think drawing freehand and free-minded, without a map on your paper and NO way to erase, is an EXCELLENT exercise to maintain creatively quick-witted and sharp. Additionally, it keeps you from thinking too "precious" about your work. And one aspect which is hugely important to maintain as an artist is the letting go of habits of restrained thinking and restrained drawing. You HAVE to allow yourself to make mistakes. In fact, I think it's really important to train yourself to work WITH mistakes, almost as if they are another tool in your tool box! Yes, you heard me right. When I was a kid and I would draw, I would play this game with myself. If I made a "mistake" in my drawing, I would force myself to work it into the drawing, NO erasing allowed. Sometimes I was successful, and sometimes I wasn't. But I really, really forced myself to try and make it work, before ever throwing in the towel. I had to be really, truly beat before I gave up. This exercise was so important to my growth as an artist. I believe that working with markers and working without an underlying sketch really fosters building those muscles! And believe me when they are sharp,  those muscles really come in handy in your everyday professional creative life. Like anything, you have to use it or lose it -- you get rusty if you don't use it. So, when it comes to working with markers, I basically just hit the gas and go. I may have a plan, but it's in my head only, not mapped out on the paper.

Hope you have fun checking out my sharpie art this week!
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Friday, September 04, 2009

Artists I like: Susan Abbott


Susan Abbott's painting series "Dream Tables" first caught my eye while I was casually flipping through the September issue of Watercolor Artist magazine. I sometimes like the art I see in WA, and sometimes it doesn't interest me much. But one of the things I like about the magazine is that they feature all types of watercolor art, displaying all style facets of the medium and interesting slice-of-life stories about the artists.

When I turned the page and saw Susan Abbott's paintings, they didn't immediately hit me over the head. Instead, they crept up on me like a chili pepper that's relatively mild to taste at first, but then quietly, methodically takes over the taste buds, bursting with flavor and heat. Her paintings are at first a juggernaut study of composition, pattern, and shape that work well as a huge composition. Give them a little longer though, and soon you'll find yourself engulfed in all the subtleties. These details don't reward the casual viewer though. It takes time for them to reveal themselves to youand every time you happen upon one of these details or a small series of them, it feels like you have found a little treasure. It's in the way the shadow dances on a pitcher, or in the hyper-real focus of the flowers above the table which allows the viewer to "feel" the intangible space between the long, tall orchid and the table below it. Susan's patterns and colors play beautifully across the picture scapenever overwhelming the viewer, each separate color, hue, texture or pattern complimenting the one surrounding it, but also harmonizing with the bigger composition. Her paintings are true ensemble pieces. The whole is made up of all the players working in concert with each other, and they are all making beautiful music together.


Links:
Susan Abbott's blog
Susan Abbott on Flickr
Susan Abbott in Watercolor Artist magazine
Susan Abbott's Dream Tables series
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Thursday, September 03, 2009

Why I Chose Pet Portraiture... Part 2

This is a continuation of an essay previously posted here. Read Part One

• I wanted to put myself in a position where I had no choice but to learn solid business and financial skills. Any type of business would help me learn this stuff, but if I was not passionate about it, I wouldn't follow through. (You can lead a horse to water...) To this end, pet portraiture has been a great "boot camp" for me to really learn the business of being an independent artist. I handle every part of it. Some might shudder at the thought of handling the financial parts. But it's especially important to learn that stuff, and even more so if it makes you uncomfortable. (That uncomfortable feeling is just your brain telling your body that you need some experience and improvement in that area.) If you intend to make a career as an artist, you are in the unique position where you simply have to learn how to run your business, and that includes the finances. Plus, since you are passionate about your business, you will learn all this stuff within the framework of something you truly love doing. That makes it less painful and more interesting. When you have setbacks, you learn from it, get up and try again. And when you have successes, it makes them all the more sweet knowing that you are responsible for every aspect of your business. It's a great feeling to have a handle on those things also from the perspective of self-esteem. I've been a life-long math-phobe. Hey, if I can do it, you can do it. Lastly, to learn things right from the get-go will preclude the development of any bad or lazy habits. A good accountant is an excellent, and I think necessary, investment. I have an accountant to help with estimating quarterly taxes and my yearly taxes and though they are not cheap, it feels great to know I am 'doing things right'.

The over-riding criteria for my business was that it had to be something I was really passionate about. I love animals, and I always have. So, in that way, it was a natural fit. I also liked the fact that it was  a kind of wacky, odd niche, which matched my personality. It was something that not everyone was doing at the time. I was sure that it would never be boring. But above all, my whole life I'd always loved creating cute and fuzzy characters through my artwork. Guinness was my first dog as an adult (a black pug, I married into co-parenting him). Guinness was my perfect creative muse, years before pet portraits were even a shimmer on my horizon. I drew and painted him all the time. Both Guinness's personality and his physicality perfectly matched my own creative sensibilities and lit up my imagination. (Today, a portrait of Guinness still hangs proudly in my home). Thanks to Guinness, I'd essentially already been doing pet portraits for a long time and strongly identified with the genre before officially making the leap. I have Guinness to thank for all of the inspiration. He was a wonderful companion and he clearly made a huge impact on me.


Today, though I still keep my toe in the pet portrait pool, my portraits are no longer the centerpiece of my creative work. But all that I have learned about running my own business, consistently pushing myself further than I ever thought possible creatively, and how communication with others and with myself all apply to that, came first to me via the pet portraiture business. It's given me gifts too numerous to mention. It saw my ship out to sea, and powered it to sail high and proud. But the point is, I started *something* with my art. For me, it happened to be pet portraits. But it could have been anything. I was passionate and committed. I made something happen. In turn, it propelled me.


Starting your own 'thing', no matter how small it may be, has an excellent peripheral effect: It's a great confidence-builder. When you take yourself seriously as an artist and as a business person, and you walk it like you talk it, suddenly you will find that others are starting to take you seriously, too. As a career artist, you are a maverick. You are likely going to be paving your own way in everything you do professionally. As a creative professional, by default it comes with the territory. So get used to your entrepreneurial, independent business-person self. Embrace it. Own it! Every new venture you take on will be building on a previous one. Every new experience you gain is wisdom in the bank. In the long run, you will only get richer in all aspects for continually challenging yourself in new and different ways.
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Wednesday, September 02, 2009

Why I Chose Pet Portraiture... Part 1

Choosing pet portraiture

Becoming a pet portrait artist was an outgrowth of my creative interests, desires and needs at a time in my life when I had not been doing much of my own art work at all. I'd been suffering with chronic hand and wrist problems for a few years, off and on. When those issues finally calmed down, I was hungry to build something with my artwork - something new, fresh and different - something that was really "me"!  Maintaining my full-time job as a graphic designer/illustrator while starting up my new venture required some serious time-management. But, with proper prioritizing, I knew I was up for the challenge. I really wanted to jump back into my artwork head-first! Starting an art business would be a great way to do that, but choosing pet portraiture in particular really changed everything. It's helped me grow in so many ways.

I had a few overall goals for my what I wanted my pet portrait business to accomplish for me:


• I wanted to create a business which would be a framework for my continuing growth as an artist. I really wanted to get back into the habit of doing artwork consistently. Creating a business with timelines and deadlines would keep me on track. I would be accountable, and working under the umbrella of a business would be all the motivation I'd need. And choosing pet portraiture for my business would keep me producing, growing and learning - I viewed it as unchartered territory, I was excited about the subject, and the road was wide open for expression. In the end, it has accomplished all of this for me, and more.

I wanted my business to foster my communication skills. Working this way would help me to learn how to better manage clients and projects in pet portraits and beyond, and, because the way I work with my clients is one-on-one, pet portraiture by default would accomplish this. Currently, I enjoy a very collaborative, creative workflow with my clients. Personality-wise, pet people are my kind of people, too: I'm just as nuts about pets as they are, so it's a good fit.


• I wanted to be able to do something where I would be in a position to be able to use my artwork to help others. With pet portraiture, I've had the opportunity to donate something uniquely special and valuable to many dog and cat charities and rescue organizations. That feels pretty good!

Stay Tuned for Part Two!
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